‘THE 355’ Review: Forgettable Femme Feature Falls Flat

Growing up in the 80’s and 90’s, the Action genre was pretty ingrained in my budding cinematic education. Other than Indiana Jones, I think James Bond was another huge icon I loved. The whole allure of being a spy or a covert government operative just seemed really cool to me. Fast-forward to now and films like the Jason Bourne or John Wick series are relatively popular franchises. The John Wick franchise, in particular, is heavily influenced by South Korean action cinema.

After the CIA discovers there is a device that can bypass and essentially hijack security and communication systems, “Mace” (Jessica Chastain), short for Mason, and her partner – who she has become romantically involved with – Nick (Sebastian Stan) are deployed to meet up with a Colombian government agent that ends up with the device and tries to work out a deal to get a monetary amount, just enough to get his family out of Colombia and out of harm’s way. At the rendezvous, the “bag o’ fed moolah” to be used in exchange for the device is swiped from underneath them, Mace and Nick give chase, split up between the Colombian and the German operative (Diane Kruger) who swiped the bag. After a series of events, Mace must now go off orders and attempt to capture the device before it falls into the wrong hands. Along the way, she enlists the help of her British friend, Khadijah (Lupita Nyong’o), who is a cyber-security whitehat hacker who used to work for the Government. “Mace” ropes Khadijah to leave her normal life for a few days to help her on this one mission for the better of mankind.

Where to Stream 'THE 355'

The 355 Movie Review
(from left) Graciela (Penélope Cruz), Mason “Mace” (Jessica Chastain), Marie (Diane Kruger) and Khadijah (Lupita Nyong'o) in The 355, co-written and directed by Simon Kinberg.

With Simon Kinberg’s The 355, we are treated to something you don’t see a lot of in the Action genre, a team of spies who are women. It’s a brilliant idea, using a predominately male-oriented genre and flipping it on its head by having your main protagonists as the complete opposite demographic. It could have been used to make light of or comment on the machismo and male allure to this type of film. Sadly, it doesn’t.

The 355 feels as bland and generic as a Direct-To-Video action-thriller starring 80’s and 90’s Action stars taking the assignment to either pay the IRS or pay their rent. There is a difference between a working actor and an actor who is consistently working. The one actor who definitely knew what he was doing and took the money and ran but must have given the demand of being uncredited is Jason Flemyng. At first, this reviewer started thinking he was losing his marbles as he is not listed on IMDB or his Wikipedia page as being in this movie and he is the main villain of the film. That should give you an inkling of how throwaway and forgettable this film is.

While Diane Kruger and Lupita Nyong’o seem to make the most effort out of the anemic script and paint-by-numbers espionage film, the chemistry between the International supergroup is ultimately what truly breaks the team apart. The actresses at times feel like they just want to get their check and go. It also doesn’t help matters that Kinberg is not a great director. It is only accentuated by the actual action sequences. While there may be some decent fight choreography, you would never know with Kinberg deciding to go with the shaky-cam and tightly framed fight sequences. One of the first chases is visually headache-inducing as it just doesn’t flow nor does it include any thrills.

At slightly over two hours long, The 355 is a chore to get through and, even if you power through it, you will forget all about your uphill battle a few days later.

'THE 355' is in theatres today.

The Review

4
Story
3
Characterization
3
Execution

The 355 Review

Bland, boring, and overlong. Not even the best actors in this film can pull this film out of the gutter.

Andy Triefenbach is the Editor-in-Chief and owner of DestroytheBrain.com. In addition to his role on the site, he also programs St. Louis' monthly horror & exploitation theatrical midnight program, Late Nite Grindhouse. Coming from a household of a sci-fi father and a horror/supernatural loving mother, Andy's path to loving genre film was clear. He misses VHS and his personal Saturday night 6 tape movie marathons from his youth.

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